#JAPANESE PIANO PRODIGY LICENSE#
#JAPANESE PIANO PRODIGY TV#

It was truly divine.' 2009 Van Cliburn Competition Juror Richard Dyer, a chief music critic for The Boston Globe, said, 'Very seldom do I close my notebook and just give myself over to it, and he made that necessary.

His performance had the power of a healing service. Van Cliburn is quoted as having told the Fort Worth Star-Telegram, 'He was absolutely miraculous. Nobuyuki Tsujii in Paris, January 14, 2020 He won the 1st Prize at the InterArtia 2015 international competition by the International Art Society in Volos, Greece. A 2014 film Touching the Sound, also by Peter Rosen, documents Tsujii's life from birth to his 2011 Carnegie Hall debut, including footage of his visit to the region in Japan that suffered the devastating aftermath of the 2011 Tōhoku earthquake and tsunami. Tsujii is featured in a 2013 English textbook for high schools in Japan. Tsujii debuted at the BBC Proms on July 16, 2013, with a performance with the BBC Philharmonic conducted by Juanjo Mena. On November 10, 2011, Tsujii made his debut in the main hall (Isaac Stern Auditorium) at Carnegie Hall in New York, as part of the Keyboard Virtuosos II series. He is also a film music composer and the 2011 recipient of the Japan Film Critics Award for Film Music. He has since released numerous albums of his own compositions. At age 12, he performed his own composition 'Street Corner of Vienna'. In addition to being a pianist, Tsujii is a composer.

#JAPANESE PIANO PRODIGY TV#

Tsuji was one of the competitors prominently featured in the Peter Rosen documentary film about the 2009 Van Cliburn competition, A Surprise in Texas, which was first broadcast on PBS TV in 2010. 10) as part of his performance in the preliminaries. He played all twelve of Frédéric Chopin's Études (Op. He was also awarded the Beverley Taylor Smith Award for the best performance of a new work. Tsujii competed in the 2009 Van Cliburn International Piano Competition and tied for the gold medal with Haochen Zhang. In April 2007, Tsujii entered Ueno Gakuen University, graduating in March 2011. In October 2005, he reached the semifinal and received the Critics’ Award at the 15th International Frédéric Chopin Piano Competition held in Warsaw, Poland. Subsequently, he made his overseas debut with performances in the United States, France, and Russia. He gave his first piano recital in the small hall of Tokyo's Suntory Hall at age 12. In 1998, at age ten, he debuted with the Century Orchestra, Osaka. In 1995, at age seven, Tsujii won the first prize at the All Japan Music of Blind Students by the Tokyo Helen Keller Association. He began formal piano study at the age of four. At age two, he began to play ' Do Re Mi' on a toy piano after hearing his mother hum the tune.

From an early age, he exhibited exceptional talent and musical ability. Decca no longer has independent production facilities, so there is no distinctive “Decca Sound” anymore.Nobuyuki Tsujii was born blind due to microphthalmia. They still preserve the DG vs Decca distinction in reissues and for artists on their roster, but I think they are essentially under unified management now.

#JAPANESE PIANO PRODIGY LICENSE#

Two years ago their license to use the Philips trademark expired, although Philips had ceased to have any independent existance years before, and they re-branded Philips recordings as Decca.Īnother quirk is that American Decca split from British Decca in 1942 (hence the use of the “London” trademark for British Decca in the US) but after UMG and MCA merged around 2000 the two Decca came under the same management again and British Decca could again be called “Decca” in the US.Īt this point, I think there is little distinction between any of the UMG labels. A few years ago (maybe 2008?) the independent offices of Decca were closed and consolidated with DG. (The people who ran Philips founded the label Pentatone). In 1999 (I think) they closed the independent offices of Philips and consolidated with Decca. (Notice that DG, Philips and Decca CDs are numbered using the same system.) For a while they allowed all three labels to operate more or less independently and kept a strict firewall between the labels (no mixed label reissues, etc). The three have been a single company since then. Polygram, the parent company of DG, took over Decca (called London in the US) and Philips in 1978, I think. I add the following quote:”A little history.

Japanese piano prodigy